100 years German national anthem

100 years German national anthem

New release of my editing

On the occasion of the 100th anniversary of the German National Anthem, I have re-recorded my arrangement and released it today, Sept. 30, 2022, on the popular streaming platforms.

The sound is now at the very latest quality level. Enjoy it. 

The matching notes are available in my Store.

Album-Cover Deutsche Nationalhymne (2022)
Album cover German national anthem (2022)

Detailed blog post

More about the German National Anthem in my detailed blog post: The German national anthem - former imperial song

The GermanNationalhmyne (2022) Release Overview

  • Audio track on popular streaming portals 
  • Learning video (on the hands view)
  • Piano sheet music in store

Ragtime by Scott Joplin and a Blues in a Minor Key: Precursors of Jazz

Ragtime by Scott Joplin & a blues in a minor key

Precursor of jazz

After a series of releases of classical recordings at the turn of the year, this time it's back to the roots of jazz. And this time with a double release: This February my EP Ragtime - Marcus Sukiennik plays Scott Joplin as well as the first release of my own composition Shout Out Blues.

In addition to some background information on the selection of pieces, I would like to use this blog post to give a brief introduction to the origins and characteristics of ragtime piano.

"King of Ragtime" - Scott Joplin

He celebrated international success as one of the first African-American composers - Scott Joplin, the "King of Ragtime". I have recorded four of his most famous titles for my EP. At the same time they are my personal best-of: The Entertainer, Maple Leaf Rag, The Easy Winners and The Great Crush Collision March.

Scott Joplin was born in the 1860s in Texas, where he played as a bar pianist from a young age. In his early 30s, he wrote a piece that would go down as a milestone in music history: The printed sheet music of the Maple Leaf Rag sold more than a million copies after their release in 1899. That had never happened before.

A few years later, in 1902, Joplin composed what is probably his most popular piece today, The Entertainer. A nifty catchy tune that some will also recognize from the endless chase scenes of the animated series Tom and Jerry should be known. For all cineastes, with whom cartoons can score less: The rag became world-famous in 1973 through the hit film The Stingwhose soundtrack lives from Joplin's compositions. With it also The Easy Winners. Thanks to the successful soundtrack of the feature film, which is really worth seeing, ragtime experienced a real revival in the 1970s.

Let's move on to the last track I recorded for the EP. Scott Joplin dedicated The Great Crush Collision March a spectacular but tragic event. The march evokes the staged railroad accident of 1896, a marketing effort by the Texas Railroad Company that collided two locomotives head-on as a spectacle. An audience of several thousand had gathered for the event, but three people died in the explosion and several were injured.

Scott Joplin at about the age of 35.

Ragtime: history and characteristics

Ragtime originated in the African-American communities of St. Louis, Missouri. There the genre developed in the 1890s as dance and light music, whose popularity reached its peak at the turn of the 20th century - and eventually spilled over from the USA to Europe.
The name ragtime is derived from ragged time (Engl. "torn time"), due to the temporal shift between melody and accompaniment that is so characteristic of the style.

Musically, a lot comes together here: African rhythms, elements of African-American folklore as well as European classical music. The left hand jumps and plays a steady accompanying rhythm, while the syncopated melody line of the right hand with its small time offsets provides a special charm.

Ragtime is perceived today primarily as a piano style, but was originally also played on other instruments and in ensembles. It was considered utility music - Joplin wanted to bring his rags to the stage in the concert hall, he wrote among other things two operas, but unfortunately they received little attention during his lifetime.

From ragtime to blues and jazz

The era of ragtime ended around 1917 with the death of Scott Joplin. New genres emerged from it, and precursors of jazz, such as stride piano and blues, enjoyed increasing popularity. While there are clear parallels between stride piano and ragtime, one major difference is that ragtime is note-based, composed music - in contrast to Harlem stride, which is characterized by elements of improvisation.

Two examples of stride piano can be found on my album All-Time Standards:
Satin Doll and Honey Suckle Rose.

Album Cover "Ragtime, Marcus Sukiennik plays Scott Joplin"
Album Cover Shout Out Blues

New releases in February 2021

  • EP Ragtime - Marcus Sukiennik plays Scott Joplin will be released on 05.02. and the single track Shout Out Blues on 19.02.2021 on streaming portals respectively for download
  • Video New Releases February 1 & 2 on YouTube
  • Learning video (on the hands view)
  • Shout Out Blues Leadsheet C part PDF (melody with chord symbols)

Encounters in the Piano Bar

Encounters in the Piano Bar

10 YEARS EXCELSIOR HOTEL ERNST

As a musician, I cherish the creative moments, alone in my studio, focused on writing and playing music. But I also love performing music live in front of people, sharing moments and moods. Like most artists, I'm not currently on stage and I haven't taken a seat behind the grand piano in my second home, the Excelsior Hotel Ernst in Cologne, for quite some time.

This unusual year marks a special anniversary for me: I have now been playing regularly as a pianist in the Excelsior's Piano Bar for 10 years. In normal operation, this means that I spend several evenings a week in the hotel's bar. In solemn thought of this beautiful anniversary, a new piece has been created: E-H-E. The composition of the same name begins and ends with these notes - just like the initials of the Excelsior Hotel Ernst.

I would like to talk about my evenings as house pianist of the Piano Bar and its special guests here today, for the publication of E-H-E...tell me a little bit.

Piano Bar Excelsior Hotel Ernst: Mahogany and Gershwin

The Excelsior Hotel is a house steeped in tradition. And so is its Piano Bar, which has been around since the 1870s and is still an insider tip among Cologne's live bars. Not only because of its attractive location right next to the cathedral (at least I hope so). But also because word has got around that you can enjoy exceptionally good drinks here to unobtrusive piano tones.

The moody atmosphere in the Piano Bar is underlined by its charming interior. Dark mahogany panelling, dim lighting and yellow leather seating. From my instrument, I look out over a colourful, changing floral decoration. When you enter the bar, you leave the hustle and bustle of the main station and Domplatte behind. It's like diving into a small cosmos with its own rules for space and time.

Encounters in the Piano Bar

As a bar pianist, I have been in and out of these premises regularly since 2010. The Piano Bar is open for coffee during the day, but I mainly play in the evenings, from 7pm until after midnight. The bar is frequented by both locals and hotel guests, alone or accompanied and for very different reasons. Some come for the good cocktails, to celebrate in a round with others, or to relax after a stressful day. Some also come for the music.

Besides regulars, I often see new faces. Sometimes it's busy, other times it's quiet. When the stream of visitors swells and swells is usually hard to guess in advance. Suddenly it explodes and in the same way the rooms of the bar sometimes empty almost unnoticed. The team around bar manager Matthias Allgaier has grown very close to my heart. Some have been there as long as I have. André Todorovic, for example. He did his apprenticeship at the Piano Bar and is now already bar supervisor. He should know my music pretty well by now. It amuses me when he whistles along to my compositions as if they were popular hits.

What can basically be observed: It is the people who make up the atmosphere in the Piano Bar. So the very different composition of the audience can lead to special moments.

One of my attentive listeners is an elderly gentleman from England, who comes to the city on the Rhine from time to time. He always has an armchair set up right next to the grand piano and particularly enjoys old swing pieces. In return I get wonderful British humour for the evening. (Added to this is a good-natured encouragement which I have observed especially in people who have fought the battles of life and are now interested in making their counterpart feel good). A handwritten letter reached me weeks later after our first meeting at the hotel. Priceless!

Tastes, sensitivities and listening habits are different. As a bar pianist you therefore need more than musical talent - above all a sure instinct that reacts to the listeners in order to help create the atmosphere of the moment. Of course, you can't always please everyone. An older gentleman who had come to the Piano Bar apparently didn't fare quite as well as he had expected. His conclusion to my own composition Unusual Piano Groove: "It sounds like a record has jumped".

Sometimes quite unexpected similarities come to light: a regular guest occasionally works on his laptop in the Piano Bar. He comes especially for the beautiful ambience. Despite his work, he has all his antennae set on music and notices it every time I present a new piece. Then we chat a bit. For the first time after my composition Peanuts Song. Growing up with Charlie Brown and co, I was always elated and fascinated by the music. Without having told anything about it, he promptly approached me after the title that the piece reminded him of the Peanuts. What a nice surprise! 

Playing times in the Piano Bar

Update 2023:
Fri & Sat: 7 - 24 pm

Winter garden: occasionally Sun, 13.00 - 15.00 
(currently approx. 1-2x monthly)

Current information directly from the Excelsior Hotel Ernst

E-H-E. Three tones for the Excelsior Hotel Ernst

E-H-E kicks off a series of new releases I'll be releasing over the next few months.

You can hear the piece from 4.12. here on all common streaming platforms and
available as download in 192 kHz 32 Bit High Resolution Audio. Matching piano sheet music and leadsheet as well as an instructional video with a view of the fingers - all available soon in my new shop.

I look forward to perhaps meeting you in person one day when the doors of the Piano Bar open to guests again in the future. With this in mind: stay healthy and get through the winter well.

Sincerely
Marcus Sukiennik

Album Cover E-H-E

E-H-E. Release overview

  • Audio track on streaming portals or for downloading
  • Anniversary video
  • Learning video (on the hands view)
  • Piano sheet music PDF (as played on recording)
  • Leadsheet C part PDF (melody with chord symbols)